Thuppakki – Audio Review

After a lot of unwanted hurdles, it was a very quick initiation of the trigger this week. We are talking about the audio launch of Thuppakki, all set to fire for this Diwali. The film produced by Kalaipuli Thanu under V creations banner stars Ilayathalapathy Vijay and Kajal Aggarwal, has music composed by Harris Jayaraj and directed by A.R.Murugadoss. While the fireworks are just a month away, the celebrations have begun today with the audio. We bring to you a brief review of the songs here.

Starting with a Sufi style prelude, “Kutti Puli Kootam” breaks into a bhangra style with a lot of mass appeal in its lyrics penned by Viveka. The whole song speaks about enjoying life to the fullest and brings in a lot of energy and youthfulness. Though a mass song, it has lot of melody in it and sung by an interesting combo of Hariharan and Tippu. A totally different opening song for a Vijay film, nevertheless electrifying.

Verdict: Magnum

“Antarctica” is a typical Madhankarky romantic song, with a lot of intelligence thrown in. Rendered sharply by Vijay Prakash with good support from Krissh, this is a song that will become your more favorite, the more you listen to it. Simply done, it is totally about the love of a soldier, so naturally lot of parallels are drawn between love and war. Lyrics gain upper hand and you cannot afford to miss the brilliance in them.

Verdict: Firearm

Pa.Vijay brings out the painful feelings and dutiful sacrifices of army men in “Poi Varavaa” through meaningful writing and Karthik gives it life with his vocals. Very apt use of instruments and melancholic Chinmayee’s supporting harmony, makes your heart go out to those jawans guarding our lives everyday unmindful of their own. A song with lot of substance given in a sweet capsule of melody.

Verdict: Howitzer

“Vennilave” starts with Hindi vocals and is an excellent melody that fuses South Indian percussion with Hindustani strings. Singing for the first time in a Vijay film, Harris’s favorite Bombay Jayashree soothingly takes us through a soulful rendition with ample support from Hariharan. Na.Muthukumar’s lyrics speak in a good depth about blissful love and the bliss is in our hearts when we finish listening. Such a feather touch melody after so long in a Vijay film is a bonus.

Verdict: Air Rifle

“Alaika Laika” is a peppy duet sung by Javed Ali( why this fixation on him Harris?) and an excellent Sayanora Philip (who last sang Ice Katti from Madurey for a Vijay film). A simple middel east meets western composition that will become hummable after a few listenings because of its catchy lyrics and excellent foot tapping rhythm. If Olli Belly is for Nanban, Alaika Laika is for Thuppakki. Interestingly, both are penned by Pa.Vijay. Special mention to funny sounds like Dwain Dwain, Waing Waing and lyrics like “Nee inippana uraipaana Aggarwal alwaa”

Verdict: Kalashnikov

Jagdish on Mission is an awesome short theme instrumental, some of which appears in teaser too. Very energetic and western, it perfectly sets the theme for an action thriller. Good orchestration by Harris and a fitting finale for the rocking album.

Verdict: Stun Gun

If there is one song that has too too too much of repeat value in the album, it can be none other than Google Google. Vijay’s return to singing after 7 years, his outstanding singing, Madhan Karky’s absolutely attractive lyrics, perfect party beats, excellent composition, Andrea’s voice that almost gives a feel of Kajal singing it – six bullets make it a perfect six shooter. The lyrics are prefectly in line with modern day lovers and what they do. Above all, it is Vijay who makes this song a delight. You wish to listen to more and more of him, and can’t resist looping the song in your music system. The unimaginably wonderful singing like never before by Vijay and the subtle touches that he gives to the song are only to the experienced by listening. You can’t help wondering why such a professional singer like Vijay sings once in 7 years while bathroom singers release 7 songs in a year. Anyways, its time to rejoice with VJ on the floor.

Verdict: Saturday Night Special

The album is the perfect treat for not just Vijay fans but all music lovers. But the special icing on the cake for Vijay fans is Vijay’s singing and the album is worth a lot just for that. Thanks a lot to Harris Jayaraj for bringing the best of Vijay and giving us a delightful album.

Thuppaki – Fully loaded

Nanban - Movie Review

Remaking a movie is neither an easy job, nor a cakewalk as it is visualized by many. You not only need to repeat the success but also ensure that you are not tampering the original to give a bad output. Except that the film maker starts off with a readymade story and screenplay, everything else about the film is original and filmmaking is any day not a word document to cut and paste from other’s work. Having said these, remaking a classic to give another classic that receives universal acclaim is no easy job. The Nanban team has done such an excellent work that they deserve this success. For Vijay haters, the review ends here and the page close button is on your top right. Others can read further.

History
It has been many years since we saw a Vijay film sans heroism, fights and villains – a film that relies only on emotions, relationships and situations, where character is the hero. There was Jeeva of Kadhalukku Mariyadhai, Kutty of Thulladha Manamum Thullum, Bhoomi of Kavalan, but they were still avatars of Vijay who are heroes in their own right. But the hero this time is Panjavan Paarivendhan aka Paari – the hero Vijay has completely got into the skin of the character that you forget the hero in him. He is your friend, your nanban.

Literature
The script of the movie done by Rajkumar Hirani and Abhijat Joshi has been beautifully adopted for Tamil audience such that you don’t feel anything alien in the whole proceedings. The dialogues written by Madhan Karky and Shankar are crisp, youthful and fit in exactly with the mood of the scenes. The speech of Silencer, which was much acclaimed in the original, leaves the audience ROTFL much talked about song lyrics, especially Ask Laska and ‘All Is Well’, are well brought out in the visuals. Lot of intelligence has been put into the film and it has paid off.

Chemistry
The chemistry between the lead pair, though they appear together for very few scenes and couple of songs is really cute and they really make a good pair. Their subtle love that runs along with the story is a delight to watch. But what makes a bigger impression is the chemistry between the lead trio – Vijay, Jiiva and Srikanth. It has worked out so well, otherwise we would not have been on an emotional journey with them for 3+ hours.

Arts and Science
Muthuraj’s art direction is easy on the eyes and colorful – be it the hostel settings, the grafitti train in ‘Ask Laska’ song or the grandeur in ‘Irukaanna’ song. Being a film based on education, the intelligent usage of simple and complex scientific concepts in the film deserves a huge applause, ofcourse, credits to the original. Special mention to the delivery scene of Anuya who plays Illeana’s sister. It has been brought out so well that it is not just convincing but also emotional.

Sound Engineering and Film Editing
Oscar winner Resul Pookutty has a major role in making the audience feel like being part of the visuals, through his excellent sound mixing, especially in college scenes. Editor Anthony takes the credit of keeping the audience glued to the screen despite the 3+ hours length of the film, without a single boring moment.

Music
Harris Jayaraj’s songs, which are already chartbusters, have become visual treats in the film. In a film with just three songs (the rest are used in background with situations), he stands out with his excellent background score, probably a comeback area for him. “En Friend ah pola” song appearing both in title and end credits lingers in mind for a long time. The new end credit version is a sweet surprise.

Choreography
The three songs choreographed are a celebration. If ‘All Is Well’ is funny and entertaining, ‘Ask Laska’ is an intelligent treat, Shobi deserves a big applause for both. Farah Khan makes best use of the dancer in Vijay in Irukaanna song, both sexy and colorful with belly dancers.

Photography
The camera work by Manoj Paramahamsa is one of the biggest strengths of the film. The lens man brings out the college backdrop so well that you feel like watching your own. If use of black-and-white in the scene at Jiiva’s home is hilarious, it is breath taking when his camera shows Indian locations in a never seen before grandiose. Also worth mentioning are his romantic presentation of ‘Ask Laska’ and the sexy camera work in ‘Olli Belly’ song.

Film Management
Frankly speaking, having received brickbats for his handling of student life in Boys, Shankar presents a diagonally different view of the same through a rollercoaster of emotions. Whatever would have been good has been made to be the best – the Shankar touch is evident throughout. No one else could have recreated the magic of 3 Idiots so well, his urge to do better than the original is visible in every frame. The perfect casting, excellent adaptation, getting the best out of his cast and crew and simple things like Shankar’s guest appearance in ‘Ask Laska’ song, the funny clap boards, the effort put into making All is  Well song (as earlier seen from the making video) are what Shankar brings into Nanban to make it a guaranteed entertainer.

Philosophy
There is more than Engineering and Medicine in education and things other than marks and ranks in college life. Your life should be decided by what your heart feels and not what others feel about you. This is what is the film speaks about through a gripping narration and this review more or less brings out the same. There is a lot more to look for in education.

The Rank Holders

Supporting cast: There is a huge supporting cast in the film of which the short appearances of Vijay Vasanth, Balaji (of Jaya TV) as college senior and S.J.Suryah are worth a mention. Rest of the cast inclusing Anuya, Uma Padhmanabhan, Rinson (of Jodi No.1) as Millimeter, Manobala and others do what is required of them.

Sathyan: He has a meaty role in Nanban unlike the sidekick roles he usually does. He surprisingly manages well till the end and leaves the audience in splits in his teacher’s day speech scene.

Sathyaraj: As the nightmarish college dean Virus, Sathyaraj has given a convincing performance, far different from his usual style. Villainism is nothing new to him but playing the character that has been immortalized by Boman Irani in Hindi, he has lived to the expectations.

Illeana: As a naughty daughter of Sathyaraj, the ‘Olli Belly Jelly Belly’ girl has played her role well, especially in scenes where she confronts her father trying to save Jiiva from his revenge and when she helps her sister deliver her child through web conferencing. Her funny lines in the scene where she gets drunk and in the final scene deserve a mention. And yes, she looks stunning in the two songs she appears in.

Srikanth: This is a lifetime opportunity for the actor who has been starring in not so great films in recent times. And he has utilized it well, being the narrator of the film in his ‘cursed-to-be-engineer’ role of Venkatramakrishnan. His emotional scene with his parents brings the best of him.

Jiiva: A fine actor, he lives his role as Sevarkodi Senthil, performing brilliantly in comedy and emotional scenes. If he makes us teary in the scene where he attempts suicide, his comedy timing in ‘Induction motor’ scene makes audience roar with laughter. Shankar has effectively used the fabulous natural actor in him.

Vijay: If there is a backbone that supports the whole film, it is Vijay’s role as Panchavan Paarivendhan, which I doubt anyone else would have done with such utmost sincerity and at the same time fitting perfectly for the character. Having played many physically powerful mass hero roles and sweet romantic hero characters, he has shed all his heroism and image to underplay the role of a mentally strong genius. As a naughty student wishing to see a change in education system, caring friend who wants his friends to get the best out of life, romantic lover who locks his emotions, daring youngster to challenge his dean, novice helping his lover’s sister to deliver a child – Vijay’s role has a lot of dimensions to it and shines in each of it outstandingly. From an uneducated local mechanic to a college topper, everything comes to him with ease and all it requires is a skilled director to use it in a powerful script. And this time, everything has fallen into place which gives every fan the delight of watching Vijay in the role of a lifetime. Thalaivaa! You are great!

To sum up, Nanban is one of the best engineered remakes. Disliking a film like this definitely prescribes you a doctor appointment for psychiatric cure. You see it as a copy, you copy paste your comments of hatred usually made for Vijay films. You see it as a remake, you will end up making only comparisons. You see it as a Vijay film, your bias on Vijay will alter your opinions. You see it as an entertainer, it gives you loads of entertainment, more than what you expect. It is a beautiful journey of life that every movie lover will enjoy.

Verdict: A for Awesome, B for Blockbuster. All izz Well!